Discuss the impact of abstraction on the art of the twentieth century. What were some of the ways American artists adapted abstract styles to express modernity during this time period?

Respond to TWO of the following questions separately (2different Essay). Each essay should be at least two pages, double-spaced.
every question you must use at least TWO but no more than THREE specific examples to back up your argument. Identify each work by artist, title, cultural period, and cultural period date. Be sure to discuss subject matter (if applicable), formal properties, and the historical and cultural contexts of each artwork.

Question 1: Discuss the impact of abstraction on the art of the twentieth century. What were some of the ways American artists adapted abstract styles to express modernity during this time period?

Question 2: Discuss how artists of the twentieth century expressed regional identity in the United States. How did depictions of Eastern cities differ from the Midwest? What visual strategies did artists utilize in order to evoke a sense of place?

Question 3: Beginning in the late 19th century, American northern cities swelled with European immigrants and Black Americans migrating from the south. Discuss how artists responded to the changing demographics in American cities, particularly in New York, during the twentieth century. What were some of the ways artists captured new immigrant populations?

Sources:
specific examples:
– -William Van Alen, Chrysler Building, New York City 1928-1930 (Business Boom
-Shreve, Lamb, and Harmon Empire State Building, New York City 1929-1931 (Business Boom)
-McKim, Mead, and White, Pennsylvania Station, 1910 (Progressive)
– Worlds Columbian Exposition: Daniel Chester French, The Republic, 1893 (Progressive Era)
-Worlds Columbian Exposition, 1893, Chicago, IL
-John C. Austin, NBC Radio City Studios, Hollywood, CA 1939, Depression
-Edward Steichen The Flatiron 1904 (Progressive Era
photoAlfred Stieglitz The Flatiron 1903 (Progressive Era)
-George Ault, From Brooklyn Heights, 1925 (Business Boom)
2)
Grant Wood American Gothic 1930 (Depression
Grant Wood, Parson Weems Fable 1939 (Depression)
-Charles Demuth, Distinguished Air, 1930
Reginald Marsh, Twenty Cent Movie, 1936
Aaron Douglas, Aspects of Negro Life: Song of the Towers, 1934John Steuart Curry, Tornado in Kansas 1929 (Business Boom)
Thomas Hart Benton, A Social History of Missouri 1936 (Depression

3)
-Documentation: Jacob Riis, Five Cents a Spot(from How the Other Half Lives)1890 (Progressive
-Tenement housing in New York City, c. 1900
-Lewis Hine Italian Immigrants Arriving at Ellis Island 1904 (Progressive Era)
-Lewis Hine Italian Immigrants Arriving at Ellis Island 1904 (Progressive Era)
-John Sloan, Night Windows, 1910 (Progressive Era)
John Sloan Hairdressers Window 1907 (Progressive Era)
George Luks, Hester Street, 1905 (Progressive Era)
-Jacob Lawrence The Migration Series Panel 3 1940-1 (World War II)
-Thomas Rice as Jim Crow at the Bowery Theatre, NewYork, 1833
-Jacob Lawrence The Migration Series Panel 49 1940-1 (World War II)
-Aaron Douglas, Aspects of Negro Life: The Negro in an African Setting 1934 (Depression
-Aaron Douglas, Aspects of Negro Life: Idyll of the Deep South 1934 (Depression)
-Aaron Douglas, Aspects of Negro Life: From Slavery through Reconstruction 1934 (Depression)
-Charles Alston, Magic in Medicine & Modern Medicine, Harlem Hospital 1936 (Depression)

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